ShareDoc
26.09.2023
On 25 September, Malmö’s Scandic Triangeln hosted a panel that delved into the opportunities brought about by the ground-breaking impact platform ShareDoc, including a case study focusing on the award-winning documentary A House Made of Splinters by Simon Lereng Wilmont. The discussion, moderated by Sini Hormio, of DocPoint – Helsinki Documentary Film Festival, was part of the industry talks organised by Nordisk Panorama (21-26 September) and saw the participation of Final Cut for Real producer Maria Kristensen together with ShareDoc founder and filmmaker Anne-Marie Borsboom.
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11.09.2023
The portrayed Yazidi women were barely teenagers when Islamic State soldiers kidnapped them and inducted them as (sex) slaves. By now many have returned. Dramatist Hussein helps them resettle in the community they were brutally snatched away from.
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06.06.2023
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02.05.2023
Interview by Geoffrey Macnab, Business Doc Europe
It’s a badly neglected episode in recent German history. Before the Berlin Wall came down, thousands of Mozambicans travelled to the GDR to work and study. Many started families. Both countries were socialist and they seemed like natural allies. But then, after reunification, the contract workers discovered they were no longer wanted or needed in the new Germany. Impoverished and without any chance of work, they were forced to head back to Africa, often leaving wives and children behind them. They had been very badly exploited.
23.03.2023
Interview by Valerio Caruso, Cineuropa
Anne Marie Borsboom, the founder of ShareDoc, breaks down her tool designed to bridge the gap between documentary lovers and immediate action, enabling viewers to support protagonists
and drive social impact.
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14.03.2023
14 March 2023 by Nick Cunningham - Business Doc Europe
Founder Anne Marie Borsboom explains to Business Doc Europe how her ShareDoc initiative is designed for doc-watchers “with a philanthropic mindset.” By scanning a QR code at the end of a screening audiences can donate directly to the protagonists whose lives they have just observed. Or if not financially, then they can engage in impact activity in other ways, such as by forming a petition, Borsboom suggests, or arranging a protest or even simply communicating their support (via the film’s producer).
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