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ShareDoc @ Sheffield DocFest

14. Juni 2023 - 19. Juni 2023 Sheffield

ShareDoc @ DOCS Ireland

20. Juni 2023 - 25. Juni 2023 Sheffield

ShareDoc @ DOK.fest

3. Mai 2023 - 14. Mai 2023 München

ShareDoc @ Movies that Matter

24. März 2023 - 1. April 2023 Den Haag

ShareDoc @ One World

22. März 2023 - 4. April 2023 Prague

ShareDoc @ CPH:DOX

16. März 2023 - 26. März 2023 Copenhagen

ShareDoc @ FIFDH

10. März 2023 - 19. März 2023 Genève

ShareDoc @ FIPADOC

20. Januar 2023 - 28. Januar 2023 Biarritz

NEWS

DOCS Ireland | Engaging Audience


Creative Practices for Documentary Distribution

Hosted by audience designer Sile Culley, this event will focus on the importance of audience engagement, and the journey of non-fiction film through the film value chain in an ever-changing market. Bringing together innovators in the realm of non-fiction filmmaking to present on the methods they have utilised in finding new ways to reach audiences.

Connecting Documentary Audiences with Real-life Subjects

Share.Doc is the first international platform that enables documentary audiences to take direct action to support your protagonist in need, giving them a tool to turn their empathy into action. Share.Doc Founder Anne Marie Borsboom will present on how this initiative is designed to empower and motivate doc-watchers, and how the platform supports non-fiction filmmakers and their work.

ShareDoc Presentation @ DOCS Ireland

Sheffield DocFest | The MeetMarket

ShareDoc @ Meetmarket Projects 2023


We are delighted to announce the selection for the 18th edition of our flagship pitching forum, the MeetMarket, which will take place on Thursday 15 and Friday 16 of June 2023. 

The slate includes 48 documentary projects, in development or at production stage, to be pitched in one-to-one meetings to international and UK industry representatives and experts.

Hot Docs Changing Face of Europe:

The Homes We Carry by Brenda Akele Jorde

Interview by Geoffrey Macnab,  Business Doc Europe

It’s a badly neglected episode in recent German history. Before the Berlin Wall came down, thousands of Mozambicans travelled to the GDR to work and study. Many started families. Both countries were socialist and they seemed like natural allies. But then, after reunification, the contract workers discovered they were no longer wanted or needed in the new Germany. Impoverished and without any chance of work, they were forced to head back to Africa, often leaving wives and children behind them. They had been very badly exploited. 

Industry Report: Documentary

Interview by Geoffrey Macnab,  Business Doc Europe

It’s a badly neglected episode in recent German history. Before the Berlin Wall came down, thousands of Mozambicans travelled to the GDR to work and study. Many started families. Both countries were socialist and they seemed like natural allies. But then, after reunification, the contract workers discovered they were no longer wanted or needed in the new Germany. Impoverished and without any chance of work, they were forced to head back to Africa, often leaving wives and children behind them. They had been very badly exploited. 

Anne Marie Borsboom • Founder, ShareDoc

Interview by Geoffrey Macnab,  Business Doc Europe

It’s a badly neglected episode in recent German history. Before the Berlin Wall came down, thousands of Mozambicans travelled to the GDR to work and study. Many started families. Both countries were socialist and they seemed like natural allies. But then, after reunification, the contract workers discovered they were no longer wanted or needed in the new Germany. Impoverished and without any chance of work, they were forced to head back to Africa, often leaving wives and children behind them. They had been very badly exploited. 

The Impact of sharing

Interview with ShareDoc by Nick Cunningham, Business Doc Europe

Founder Anne Marie Borsboom explains to Business Doc Europe how her ShareDoc initiative is designed for doc-watchers “with a philanthropic mindset.” 

By scanning a QR code at the end of a screening audiences can donate directly to the protagonists whose lives they have just observed. Or if not financially, then they can engage in impact activity in other ways, such as by forming a petition, Borsboom suggests, or arranging a protest or even simply communicating their support (via the film’s producer).

“I’m a filmmaker, so I make documentaries and I love documentaries,” adds Borsboom. “And I always was so irritated that if you see a film at a festival or wherever, what can people do if their heart is bleeding and they want to do something? I call it the post-documentary blues. We thought these could be easy to resolve by giving them a tool they can use to donate.”

“We exist to amplify the social impact of documentaries for the protagonists/charities involved in the project,” Borsboom further explains online of her non-profit Creative Europe-supported initiative. “We believe in guiding the audience towards immediate action while bridging the gap between the documentary industry and documentary lovers. It’s time to act! Our documentaries-focused platform bridges a gap by enabling the audience of documentaries to take action immediately after watching the documentary.”

The company website describes how ShareDoc’s “easy-to-access technology facilitates actions and brings additional value to the industry by enabling us to measure the impact of each film while increasing audience engagement and participation.” 

Four documentaries screening at FIFDH are signed up on ShareDoc. These are Pieter Van Eecke’s Holding Up The SkyMy Name is Happy by Ayşe Toprak & Nick Read; Simon David’s Zadvengers, and Lotus Sports Club by Vanna Hem & Tommaso Colognese. These are early days for these films, and if little has so far been raised by way of cash for the protagonists, engagement levels are nevertheless encouraging. After its FIFDH screening Holding Up The Sky registered 360 views. 

In terms of meaningful (and impressive) financial interaction, Borsboom points to Simon Lereng Wilmont’s Ukraine docs A House Made of Splinters and The Distant Barking of Dogs which have garnered donations amounting to €5,215 and €5,118 to date. 

Borsboom further stresses how, for reasons of accountability, single donations of over €5000 will be distributed to film protagonists not by the producer but by a local charity or organisation.

“I hope that within a year most of the filmmakers in the world know that we exist, and right now I have to work to reach them – it’s a lot of work,” says Borsboom. “But they need to know that we exist. That’s my goal at the moment, visibility of the platform. Then if it seems to be a success in three years, maybe I will hand it over to a bigger organization… I want to also make films again.”

ShareDoc (https://www.share-doc.org) was launched at IDFA 2022 before its January 2023 roll-out at Fipadoc (Biarritz). Immediately after FIFDH, the sharing platform will partner with CPH:DOX, One World and Movies That Matter.