


Our protagonist, María Yesenia Herrera Benítez, is 26 years old and the eldest of eight sisters who work in agriculture. She has a seven-year-old son named Deiner, nicknamed "Totoi," whom she is raising without a father. For as long as she can remember, she has worked on farms picking coffee, and she completed her primary education at age 15. She is a strong and pragmatic woman, very resilient, and she enjoys working, chatting, and making friends.
Our filmmaker, Raúl Soto Rodríguez, has spent several years observing the Colombian peasant's habit of traveling through the countryside like nomadic spirits, working as seasonal harvesters or taking on any kind of temporary work available to the less fortunate. This work quickly deteriorates their health, leaving them with no prospect of a future.
Since it first arrived in 1835 up until today, coffee has been hand-picked in Colombia, bean by bean, with no glimpse of a modern approach. Piecework is a patriarchal tradition that still lingers in the Colombian countryside; it primarily depends on the physical strength and the resistance of the coffee pickers to carry the burden of their effort. This is a place where men, due to their innate physical conditions excel over women and impose the rules of the game.
Our producer, Yira Plaza O'Byrne, is dedicated to producing films in Colombia with a high social impact. She is the CEO of the film production and distribution company BRIOSA FILMS. She is also the director of the documentary "The Deepest Red" (FICCI 2023, Macondo Award for Best Documentary - Colombian Film Academy, 2024) and of "Looking for Moms," currently in development.
Renting out his arms for workdays in the sun and water became the main source of income he has to support his extended family, especially Deiner, his seven-year-old son, whom he nicknames Totoi, a restless child he had with a wandering young man who never took responsibility for him and has already died.
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